How to Write a Summary of an Article? This is a alliterative poem belonging to the romantic genre of Arthurian legends. The author is anonymous and is simply referred to as the Gawain poet or the Pearl poet and is dated Ca. The story contains points, both in a Feminist and in a Marxist reading, that exhibit both positive and negative symbolisms, thus, inevitably furthering the contention that this is also very Deconstructivist; which is another literary theory and reading of the story.
Study Questions 1 1. She does her hair up elaborately, and it is possible to read line as a statement that she wears makeup.
In many ways, this lady seems more modern than a medieval woman. She chooses her lovers for herself and pursues her own desires, and she shows a keen ability to read people and a shrewd talent for arguing. Also, she is literate: She shows herself to be every bit as clever at arguing as Gawain, if not more so.
Yet the Gawain-poet limits the lady in some interesting ways. First of all, he never gives her a name. Though she clearly possesses beauty, intelligence, and skill, her use of all three is authorized and legitimized by her husband. To this extent, the lady acts on his behalf in seducing Gawain.
In any case, the lady does not act independently. Of course, we also discover that Bertilak acts on behalf of Morgan le Faye, another woman. The most powerful agent in the story turns out to be a female character after all, but we learn so little about her and her motives that she remains as much of an enigma to us as Guinevere does.
In his portrayals of women, the Gawain-poet exposes and subverts a variety of stereotypes, but his own opinion about how much agency women have or should have remains obscure.
How do they compare to one another? Bertilak, King Arthur, and Sir Gawain. He proceeds to deprecate himself as a coward who has fallen short of his chivalric code.
Though he initially chastises himself, Gawain goes on in lines — to recall several Bible stories about men who sin because of women. Gawain decides to keep the girdle not only as a reminder of his fault, but as a sign for others, metaphorically equating himself with Cain the son of Adam and Eve and the first murderer who bore a mark so that everyone could recognize him as a sinner.
When Gawain unveils the scar and shows them the girdle, blushing for shame, Arthur and his followers laugh out loud. By far, Bertilak has the most moderate of the three reactions.
Bertilak says that the difference between Gawain and other knights is like the difference between a pearl and peas. He admits that Gawain has flaws, but he spares him from the fatal blow out of an appreciation for how well Gawain stood up to the tests.
Though at first it seems that Bertilak believes only in the letter of the law, in Part 4 he shows a justice tempered with mercy. The Gawain-poet investigates whether naming can fix, contain, or transform physical reality, and names in the poem function in multiple ways. Proper nouns can contain or transfer reputation or status.
For instance, at the beginning and the end of the poem, the author refers to the way great cities are named. The poem shows that names can contain reputation and transfer status; as such, a name must be defended against defamation so that it can legitimize the power of that to which or whom it refers.
As a concrete noun, a name can allow for a detailed knowledge of a thing or a person. This kind of naming renders the poem tactile for the reader, as we get to know certain things, processes, people, and places intimately by knowing their specific names.
Yet this kind of knowledge juxtaposes the utter ineffability of other things, concepts, and people in the poem. For instance, the host, his wife, his castle, and the old woman all remain nameless, adding to the sense of suspense and foreboding surrounding them.
In this way, names can reveal certain kinds of knowledge and expose certain kinds of ignorance regarding the physical world. Like the pentangle and the girdle, both of which are symbols whose meaning fluctuates and refuses to remain stable throughout the course of the poem, names prove to be empty signifiers.Aug 10, · While the women of Gawain act as vehicles through which to move the plot along and mastermind the story, they also help to bring new themes and elements to the foreground.
The women of Gawain spend a considerable amount of time “testing” Gawain’s chivalrous plombier-nemours.coms: 6. Sir Gawain and the Green Knight is one of those stories that could be made into a box-office hit.
It has action, adventure, love, and seduction.
Sir Gawain and the Green Knight Analysis: Gawain. An Analysis of Honor in Sir Gawain and the Green Knight; Analyzing Women in the Poem Sir Gawain and the Green Knight;. Sir Gawain and the Green Knight.
A summary of a short passage in the text.
This passage shows the attitudes Sir Gawain has towards women and how he treats them. It involves the obvious preference for the younger woman over the elderly one who is a hag.
Even though the hag is not an attractive lady, she is admired by many other people. Sir Gawain and the Green Knight Essay Words | 7 Pages Women, Courtly Love and the Creation Myth in Sir Gawain and the Green Knight Sir Gawain and the Green Knight, a great epic written in fourteenth century Europe by the Pearl poet, emphasizes the opposition of Christian love to Courtly love in the 13th century through the dilemma of .
Sir Gawain and the Green Knight: Summary & Characters Find out what happens in this analysis of 'Sir Gawain and the Green Knight.' and respecting women.
While readers want to see Sir. A list of all the characters in Sir Gawain and the Green Knight. The Sir Gawain and the Green Knight characters covered include: Sir Gawain, Green Knight, Bertilak of Hautdesert, Bertilak’s wife, Morgan le Faye, King Arthur, Queen Guinevere, Gringolet.